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Kalich’s first Yiddish musical, the film not only explores the by now familiar themes of cross-dressing, but is a genuine attempt to document urban and rural Eastern European Jewish experience. Enter the title of the play or the author’s last name and click “find next. Mountain Kailash, by Samuel Zuder. Could my power put up with a few more incomplete weasel-sentences after having been promised honesty.
Courtesy of the National Center for Jewish Film. Seduction and sweet, sweet chaos.
Mar 31, · Title: Matchmaking Mamma () / Want to share IMDb’s rating on your own site? Use the HTML below/10(78).
For Sennett she also appeared in comedy shorts like The Campus Vamp and Matchmaking Mama while simultaneously getting her feet wet in supporting parts in features for major studios like Dry Martini at Fox. Trial Marriage at Columbia was early dramatic starring role for her. The Long, Long Trail cast her opposite western star Hoot Gibson , whom she would marry the following year. She was also one of many who appeared in the all-star Show of Shows While she did appear in severals westerns, Eilers might be better known for comedies.
Notable pictures outside the western and comedy fields included the crime drama Quick Millions with Spencer Tracy and George Raft , and pre-code melodramas Bad Girl , and Second Hand Wife She appeared in nothing at all in , then I Was a Prisoner on Shark Island , nothing in , and just one public service short, First Aid in She divorced Brown that year and married navy pilot Howard Barney , who became a venture capitalist after the war.
She divorced Barney in Eilers got back in the saddle for two last westerns, Coroner Creek and Stage to Tucson , and those capped off her movie career. In she married prolific television director Hollingsworth Morris , with whom she stayed hitched for almost a decade. After her times in film, Eilers acted in summer stock and regional theatre. December 11, May 21, travsd.
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Oh, ‘Mamma,’ a rare publicity still
Carole Lombard made probably just as many or more silent movies and shorts as she did talkies, but unfortunately, the hilarity in Matchmaking Mama has nothing to do with her role. This short subject features Lombard as a socialite with an eye for men, any men. Her mother Daphne Pollard has her sights set on Larry Matty Kemp as a suitable husband for daughter Phyllis, who is also cast in a play that requires he kiss the young woman.
The man is entranced by her legs, but being a very modest girl, Sally scurries about trying to figure out how to put the pan down without further exposing herself. This leads Sally to cast the man off and both parties are terribly unhappy. Pollard even without sound plays an intolerable small woman with the fury of someone twice her size.
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After that, the series settles down into its groove, which doesn’t provide anything new of interest for Toobworld for the most part. The practical-joking, impulsively outspoken aspects of her personality had been confined to her offscreen life until Hawks merged them into her role of the hot-tempered actress who verbally battles her flamboyant ex-directorllover John Barrymore in the successful filming of Hecht and MacArthur’s rowdy stage play.
They loved the outdoor life and shared times hunting and riding together. We were just two completely incompatible people. Unsure how audiences would receive a comedy starring the late actress, United Artists released “To Be or Not to Be” in tribute to Lombard. Oftentimes it’s only the pilot episode that’s of any interest to a televisiologist such as myself.
Matchmaking Mamma USA, Short, Comedy, Black and White, English. Banner Mack Sennett Comedies Director Harry Edwards. Select Cast Sally Eilers.
Your IP address will be recorded. Recommend this entry Has been recommended Send news. Log in No account? Create an account. Remember me. Facebook VKontakte Google. Previous Share Flag Next. It’s Carole Lombard in glorious for the time two-strip Technicolor, in a scene from her final short for Mack Sennett not to mention her final film without sound , “Matchmaking Mamma,” released in March but likely filmed near the end of The above is a screengrab, as in those days publicity stills weren’t issued in color.
But they were made in black and white, and a stunning and rare example from that film has surfaced on eBay: The “sheik” who tried to steal a kiss from Carole has been unmasked, as Lombard and Daphne Pollard stand over him. Here’s a better view of Lombard at age 20, when she was known as “Carole of the curves”: And in this closeup of the lower left-hand corner, get a glimpse of part of Lombard’s shapely leg at extreme right: On the back of the image is a stamp, where the movie is incorrectly titled “Matchmaking Mama” elsewhere, it’s been wrongly labeled “Matchmaking Mamas ” : There are more than a few stills from Carole’s Sennett movies on auction sites, but this is the first time I’ve come across this image.
Making this 8″ x 10″ all the more attractive is that it’s in very fine condition — not bad for a pic that’s 84 years old.
Edwards – Matchmaking Mamma (1929) GIF
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This marriage is the second for both Mr. & Mrs. Cornelius McNitt. He is panty-whipped by his social climbing second wife. She has recruited Clifford Figfield to.
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Harry Edwards (réalisateur)
Mack Sennett once aspired to be an opera singer but instead made his mark as early Hollywood’s master of mirth. Sennett began his career as a performer in a Baptist church choir in New York. He landed a few odd acting jobs after that and in wormed his way into the old Biograph Studios, where he was able to observe the work of D. Griffith and Mary Pickford.
Matchmaking Mamma () (producer) The Rodeo () (producer) Foolish Husbands () (producer) Broadway Blues () (producer) Ladies Must Eat.
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Classic Carole Lombard Films at BGSU
I’d crawl into bed at four in the morning, then wake with a headache that lasted all day And Sam and Emily have Paige, and Darren and Thea have Noah – those are almost a year old each, born really close together. The questions—do you get a second chance. Then Jake said he wanted to talk to everybody, one at a time, privately, no exceptions, and that he expected everyone he wasn’t chatting with to behave themselves in his absence.
Outside is where people normally receive their mail. Never did he ever hug or kiss Helen or me.
Matchmaking mama I’d crawl into bed at four in the morning, then wake with a headache that lasted all day And Sam and Emily have Paige, and Darren.
Larry ends up having eyes only for Sally McNitt, Mr. McNitt’s visiting daughter, and she, in turn is interested in him. Some misunderstandings on Larry’s part – he ends up believing that Sally is the household maid, and that she and Mr. McNitt are having an affair – and Mrs. But Phyllis’s coming to a decision of her own and Mr. McNitt’s looking out for the welfare of his daughter may throw wrenches into the proceedings.
Pint-sized matron Daphne Pollard, married to her second husband Johnny Burke , is producing an amateur play in an attempt at social climbing and landing young heir Matty Kemp for her daughter Carole Lombard. Trouble is Burke’s daughter Sally Eilers shows up during rehearsals and he falls for her instead, despite initially thinking she was the maid. This movie has a few brief scenes filmed in the early imperfect Technicolor.
Pollard, something of a cross between Beatrice Lillie and character actress Maude Eburne, works hard to mine what little humor there is in the story. One major problem is Sally Eilers’ bland wholesomeness cannot carry the story or be credibly more appealing than beautiful young Carole Lombard who is fairly wasted here as her stepsister. Matty Kemp, a Charles Farrell type, is quite handsome as the young male lead and smiles prettily and is appealing in a modest way.